THE LESSER BANISHING RITUAL OF THE HEXAGRAM

Within the Golden Dawn corpus, there is a slightly odd ritual called the lesser banishing ritual of the hexagram. It is performed after a lesser ritual of the pentagram by adepts and various reasons have been provided for its existence mostly centred on an apparent need to neutralise any planetary energy before beginning a working.

Based on the drawing of two different triangles in different positions in the quarters it is the most used of a collection hexagrams. However, the root of the lesser banishing ritual of the hexagram might provide us with some clues as to its use and why it is an important daily practice for the modern magician.

One of the founders of the Golden Dawn took the triangle diagrams from a drawing of the Key of Solomon Magic Circle where it is placed in the outside circle along with the highest magical names of power. The triangles are not explained, but it seems likely to me that that they are geomantic symbols. Two of them (in the South and West) are variations on the geomantic symbols for Carcer, the East is Fortuna Minor and the last, in the North is Conjuncto. Within the circle of Key Solomon, these geomantic symbols make a great deal of sense. In this case, their role is creating a ring of protection around the magician.

When looking at Geomantic figures, it is a good idea to see them as a recipe which fuses together to create a powerful effect. In this case, we have a strong Saturnian flavour figures which form a separation between the outside world and what is in the circle. Carcer means Prison and is attributed to Saturn. The northern hexagram is the geomantic opposite to Carcer. Conjuctio is assigned to the mutable Mercury and draws things together rather than separate them. However, Conjuctio
to unite the other hexagrams to mark off and seal the protective circle.

Fortuna Minor in the East is an odd addition to the magic circle. It represents the Sun when it is setting, in other words, the sun as an old man. It is a symbol of the beginning of the night, the light shining in the dark. It is both the beginning (Genesis counted the day beginning at Sunset) and the end which makes it a good symbol for the start of a magic circle. The image of the old man also works with the concept of this magic circle being Saturnian and marking the passage of time. The Sun, in any format, is always going to have some protective aspect against darkness, but in this case, it is the herald of the dark. However, the East is where the Sun rises, so this geomantic symbol is placed in a position of reversing that idea. It is the process of Time as the protector of order (Aion the Roman god of time was Lion faced) and the continuation of everything that was.

The writer of the Key of Solomon would have been aware of the associations of the east so placing a seemingly contrary symbol there had a purpose. The goal of the magic circle was to contain and protect. Fortuna Maior and Fortuna Minor, can be best associated with wheels, circles, and cycles are both cycles and associated with time. Fortuna Minor is the downward part of the wheel of fortune and the weakening of active positive solar force and he move to constrained negative solar force. With this force rising in the east the stage is set for a time of darkness and restriction… ruled by the magical image of an old man. Fire and water are imprisoned (carcer) and everything is joined together in a boundary of mercury (conjucto). All rather useful for a defensive magic circle, but when the lesser banishing ritual of the hexagramis done you create the antithesis of restriction. Time is shattered, the fire and the waters are liberated and boundaries and restriction are dissolved

Drawing of geomantic symbols is a creative art. Traditionally they could be drawn by joining up the dots of a geomantic figure, differently. However geomantic figures did not have to be constructed using lines. They could also use shapes and curls, the lines containing the dots could be made closer or further apart to make more geometrically balanced shapes. Golden Dawn members were shown a list of some of these Geomantic shapes, but it is clear that this was only a starter kit so that the students were aware of the possibilities.

Geomantic symbols are important because they represent planetary force manifesting in the earth. They bring down power to a level where the magician can directly use it.

The Golden Dawn added to the lesser banishing ritual of the hexagram symbols by placing the points of each triangle onto the tree of life. One of the missing parts of Golden Dawn teaching about the Lesser hexagram was the critical placement of the solar symbol in the centre. So far, I have only seen this solar symbol in AO, but I doubt it, as NISI is rather early in AO history and did not seem to deviate much from early Golden Dawn teaching.

By doing this, Mathers provided an additional overlay of teaching which connected the triangles to the Tree of Life and showed how the planetary forces moved around Tiphareth. While this is useful to place the lesser banishing ritual of the hexagramin the context of the wider planetary hexes it has the function of enabling Mathers other innovation, the idea of creating a banishing and invoking an aspect to the hexagram. If you wanted to remove a force, you drew the triangles anti-clockwise from the planetary point and if you wanted to invoke you drew the towards the planetary symbol from the one before it. The second triangle is the mirror opposite of the first. This does not apply to the fourth hexagram where the triangles are flipped.

In the lesser banishing ritual of the hexagram, the use of banishing versions of the geomantic symbols makes for an impressive symbolic system. Rather than providing a magical circle, which the invoking ritual would still do, it serves to break down existing restrictions and structures. Rather than allowing the constrictive, separate prisons of the double carcer symbols, it banishes any limitations which might be there. Rather than setting boundaries or uniting forces in the circle with the conjuncto symbol it is breaking them down or destroying all connections. The banishing of the sun at midnight is the removal of the element of time and the divine order. This would render the immediate environment chaotic.

So why is this important?

When you perform a magical act, you are creating a change in the status quo and challenging the natural Saturnian force. Some of these limitations will exist in the magician, others from society and on a broader scale the natural flow of the universe. By rendering the space antagonistic to Saturnian inertia you are giving your magic a chance.

But it is important to realise that with the  lesser banishing ritual of the hexagram you are creating chaos which allows the universe to be reassembled in the image that the magician wishes. For some types of magic a lesser banishing ritual of the hexagram beforehand would not be a good idea. If you are trying to use magic to take control of an already chaotic situation, it would be unwise to banish Saturn because you are making matters worse.

There is an additional point which applies more when you have made magic your life. That is that continual attempts to change the universe, or the move to do something significant creates a backlash from those Saturn forces which seek to keep things the same. The myth of Saturn and Jupiter and the war of the Titans applies here. At a certain point in your magical career you will be a symbol of a force for change and like Jupiter be a target for those forces of inertia that insist that things stay the same.

What is worrying is very often you are unaware of it or might mistake the process for a spiritual test. What you will notice is that your magic does not work in the same way as it did, you might find it challenging to meet your spiritual contacts, or find yourself too tired to do magical work. It is similar to the inertia that someone has when starting the work. However, unlike that stage of your personal development, forcing yourself to be more disciplined does not resolve the matter, in fact, it might make it worse.

Performing a daily lesser banishing ritual of the hexagram would help prevent this backlash before it becomes too crippling, you will always face this particular issue (it is part of the natural way the universe works), but at least it will not harm you too much.

The Lesser Banishing Ritual of the Hexagram becomes an important mini-ritual for Golden Dawn practitioners which has less to do with its planetary attributions and more to do with the forces of order and chaos and creating the right circumstances for your magic to work.

The lesser banishing ritual of the hexagram  deserves to be performed in most workings (after the first lesser ritual of the pentagram) when the ceremony requires some change to an existing order. It should also be done regularly with the intention of counteracting those forces of normality which restrict evolution. If the latter is performed, it might be appropriate to call upon Jupiter for assistance.